The way people move is as unique as their DNA — indeed, it is their DNA in action, living proof of their singularity. But most dancers have to give it up to become professionals, to lose themselves in the style of a school, a choreographer, a company, an image of unanimity.
Not Michael Jackson. It was his supreme achievement as a dancer to remain indomitably himself and, in the process of entertaining us, to offer a vision of expanded human potential. What’s more, long before excesses and obsessions claimed him, he helped turn MTV into DTV, making television the place where dance films set to new music inspired a generation with their creative power and originality.
Best seen in his music videos (where his vocals are pre-recorded so he doesn’t have to wear a mike), the components of his personal style are easier to list than duplicate. Start with isolation: Each move alone as if in a close-up, sudden and incredibly sharp.
Like the brilliantly calibrated gliding steps that formed his signature moonwalk, Jackson’s nervy, high-velocity turns seemed to operate in zero gravity, and his finest dance performances gave the illusion of being a momentary impulse, almost accidental in their perfect balances and other evidence of faultless technical control. If his high-pitched vocal sound simulated perpetual adolescence, the way he moved kept him super-stylized and ageless — a lover, a monster, a streetwise idealist at home in many cultures and a smooth criminal too.
The finest music-video choreographers who worked with him took what was supremely his and taught it to his backup dancers, expanding the scope of Jackson’s style and grounding it in a muscularity and masculinity that kept it from looking over-finicky or effete. A skinny kid in a red-satin baseball jacket might not have one chance in hell of stopping a gang war, but the late Michael Peters made us believe in “Beat It” the galvanic group surges that Jackson generated.
INDEED MICHAEL JACKSON WAS AND WILL BE KING OF POP AND A PURE LEGEND!